ONLY IN AMERICA? DELUSIONS OF DEMOCRACY | Offscreen
TWILIGHT'S LAST GLEAMING
A disillusioned US army general (Burt Lancaster) and his cohorts take over a Montana missile silo and threaten to launch its ICBMs unless POTUS (Charles Durning) pays $10 million and makes public a secret document about Vietnam. A punchy, cynical, neo-noir conspiracy thriller, enhanced by clever use of split screen.
AMERICAN NIGHT: PUNISHMENT PARK
Each year, Offscreen hosts a themed evening event packed with marvels: forgotten trailers, public service films, television archives... This year, the centrepiece of our American Night is the faux-documentary Punishment Park, part of a 1970s US-themed soirée of shorts, trailers and other curiosities
BLUE COLLAR
Schrader's hard-hitting directing debut is still one of his best films. Harvey Keitel, Yaphet Kotto and Richard Pryor (terrific in a non-comedic role) play workers on a car production line in Detroit. In dire financial straits, the men conspire to rob their corrupt union - only to find themselves caught between the mob and the FBI.
NASHVILLE
A zillion characters, and almost as many subplots, converge on the country music capital of the world in Altman's masterpiece. It's a microcosm of the USA: music, stardom, sex, populist politics and lurking death in the form of an assassin's bullet, with Lily Tomlin and Keith Carradine standouts in the ensemble cast.
SUBURBAN FURY
Sara Jane Moore, a 45-year-old single mom from the San Francisco suburbs, was radicalised while working as an FBI informant in the mid-1970s, and tried to assassinate President Gerald Ford. Devor's documentary uses archive footage and Moore's own account to paint a portrait of an era full of conspiracy and contradiction.
WINTER KILLS
The scion of a political dynasty (Jeff Bridges) seeks the truth about the assassination of his brother, a JFK-adjacent US President, and finds conflicting narratives, all-star cameos and a DOGE-style "information czar". This flamboyant satirical conspiracy thriller flopped on its release, but now feels unnervingly prescient.
NETWORK
Ratings soar at an ailing TV channel when a news anchor vows to kill himself live on air, and amoral CEOs exploit the situation. Paddy Chayefsky's sharp satirical screenplay skewers a world in which nothing matters but viewing figures, and is brought to life by a superb cast, headed by Peter Finch in his final role.













